Jason says: “Even those who haven’t seen Quentin Dupieux’s previous feature-length bit of absurdity RUBBER can probably guess that this is going to be a strange movie from the title alone. The playful, cheery nature of the picture may be
Thom says: “McGehee & Siegel have long fascinated me starting out with one of the strangest films ever made in SUTURE followed by two great films in THE DEEP END & BEE SEASON. While UNCERTAINTY was a decided letdown, because
Jason says: “Considering the tales that have been told about China’s film censorship bureau and the way that most of the films exported from tend to be set in a prosperous Beijing, the existence of something like A TOUCH OF
Jason says: “It is not necessarily difficult for an alternate-reality sci-fi film to hook an audience; it just needs a clever premise and the chance to present it in a familiar setting before playing out how strange it makes the
Jason says: “A new animated film from Makoto Shinkai at this point necessitates my going back and re-reading what I have written about the rest of his productions, as it can look somewhat lazy to praise him the same way
Kyle says: “The New York Premiere of DRUG WAR brought out enough fans of the great Hong Kong director Johnnie To to fill the Walter Reade Theater, although more than likely, the combination of drugs, cops, criminals and gun battles
Jason says: “Funnything about the festival circuit; a movie can be there for a while – I missed seeing this at Montreal’s Fantasia Festival last July, catching THE INNKEEPERS instead. I don’t regret seeing that at all, but I was
Jason says: “It happens to nearly every writer, musician, or film director who doesn’t die young: Because they never really retire, they’ll eventually have an unimpressive period that runs longer than even a long run of success. Take William Friedkin,
Thom says: “Director Koreeda is a huge festival favorite having been lauded for such films as AFTER LIFE, NOBODY KNOWS, & STILL WALKING (already a part of the Criterion Collection). The story is reasonably simple here, but very sweet and
Jason says: “The very title of THE IMPOSTER seems like it might be giving the game away, but it’s not hard to argue that this is entirely appropriate. Director Bart Layton opts to make the film a mystery only after