Jason says: “When Hayao Miyazaki discussed his work on the film that eventually became THE WIND RISES soon after the Fukushima disaster, he spoke of how his next film would be upsetting as a reaction to that. Now, that film
Brett says: “It has gangs. It has over-the-top violence. It has lots of dead bodies. Oh, and it’s a musical. If one is to become gang lord of one of the largest cities on earth, it’s going to take some
Jason says: “TIME LAPSE is a standout even for one of the best sci-fi years I can remember Fantasia having, and while those are rankings that may not mean much to non-attendees, it is meant as high praise. There’s always
Jason says: “Studios and exhibitors should find a way to get short films on movie screens more often. Individually, they’re often great, compact little stories, and a ticket that gets you a handful of them for ten bucks can come
Jason says: “Joe R. Lansdale is a writer much beloved by crime & horror fans but who has never really broken through to mainstream recognition the way contemporaries like Steven King and Clive Barker have; Jim Mickle is an independent
Jason says: “It’s been far too long since I’ve read far too little Dickens, but that actually matters not a whit in appreciating THE INVISIBLE WOMAN; though knowing some details of his work certainly will help, this story of him
Jason says: “Most of the descriptions of Xiao Hong biography THE GOLDEN ERA spend some time talking about what made her remarkable as a writer, and the film does give those of us not terribly familiar with 1930s Chinese literature
Julie says: “FINDING VIVIAN MAIER is an intriguing documentary that takes you on the film maker’s search to piece together the life of Vivian Maier, a prolific photographer who was never recognized in life for her photographs, and who allegedly
Bruce says: “I’ll admit to a bit of skepticism when I saw that a sequel to Eytan Fox’s wonderful 2002 film YOSSI AND JAGGER would be made. Sequel can be a very bad word for a film buff. Very few
Jason says: “Even those who haven’t seen Quentin Dupieux’s previous feature-length bit of absurdity RUBBER can probably guess that this is going to be a strange movie from the title alone. The playful, cheery nature of the picture may be