Jason says: “Well, that’s certainly something I’m glad to have seen, although I’m also sort of thankful that I’ll likely never see the like again. The excited parts of that sentence are to be expected from a movie whose opening
Jason says: “As a fan of filmmakers giving me something great that I don’t necessarily expect, I was kind of already in the tank for OFFICE (aka GORGEOUS OFFICE WORKERS aka DESIGN FOR LIVING) – who expected the first time
Brett says: “In horror, in action/adventure, and in thrillers, the keystone premise of an external conflict that threatens protagonist(s) to an hyperbolic degree is one that has been recycled and reinvented many times in many different ways and always with
Jason says: “Given that THE FORBIDDEN ROOM wasn’t even really supposed to be a movie, you have to say it turned out pretty well. Conceived as a two-part multimedia project – the first half live ‘seances’ where Guy Maddin and
Jason says: “It’s common to ask whether someone other than the person that wound up making a movie could have done so, but I think it’s a fair question with CALL ME LUCKY. Subject Barry Crimmins and director Bobcat Goldthwait
Jason says: “There’s a moment early in BRIDGEND when the main character’s father, a policeman just transferred back to the title city after having spent about ten years in Bristol, is shown the wall of the at-that-point twenty-three teenage suicides
Jason says: “Volume 1 of Miguel Gomes’s ARABIAN NIGHTS trilogy impressed me, although not quite enough to justify the scale of the thing on its own. This second volume, released a month after the first in their native Portugal but
Jason says: “When Hayao Miyazaki discussed his work on the film that eventually became THE WIND RISES soon after the Fukushima disaster, he spoke of how his next film would be upsetting as a reaction to that. Now, that film
Brett says: “It has gangs. It has over-the-top violence. It has lots of dead bodies. Oh, and it’s a musical. If one is to become gang lord of one of the largest cities on earth, it’s going to take some
Jason says: “TIME LAPSE is a standout even for one of the best sci-fi years I can remember Fantasia having, and while those are rankings that may not mean much to non-attendees, it is meant as high praise. There’s always