Thom says: “This got a big publicity push earlier this year and was a minor success. A coming-of-age story about a gay teen boy just coming out is as sweet as all-get-out. Simon is an adorable boy with terrific parents,
Thom says: “French director Olivier Assayas has been something of an in-and-outer director for me but his best films are indeed world class brilliant. I loved CLEAN (2004), SUMMER HOURS (2008), CLOUDS OF SILS MARIA (2014), & especially DEMONLOVER, my
Michael says: “In a moment of rare alignment, my favorite film at the Provincetown Film Festival also won the Audience Choice Award. I truly hope this film gets a domestic release, because it is really well done. This Icelandic film
Chris says “Building on the underrated RESULTS, Andrew Bujalski’s sixth feature might be his most satisfying one to date. Using a Hooter’s-like restaurant called Double Whammie’s as its unlikely setting, he portrays what amounts to a makeshift workplace family that
Chris says: “As a 19-year-old student in her native Singapore, Sandi Tan wrote and starred in an independent feature film she made with her friends and her much older male mentor, but it was never finished, as said mentor absconded
Chris says: “At a time when filmmaking is more accessible than ever, it’s heartening to still see real talent emerge. Chloe Zhao has such a firm handle on what she’s trying to depict and express in this film about Native
Chris says: “I believe any work of art has the potential to be both ridiculous and sublime, however rarely one achieves such a tricky balance is. To its credit, FIRST REFORMED is often firmly the latter—the austere opening credits sequence with
Thom says: “It would be presumptuous of me to call myself a huge Jim Jarmusch fan but he certainly has had a large number of top-rated films with me including PATERSON, ONLY LOVERS LEFT ALIVE, BROKEN FLOWERS, COFFEE & CIGARETTES,
Thom says: “This is exactly the type of film I look for in these troubled times. It is honest, compelling, and a true slice-of-life experience, but, that being said, it totally relies on Julianne Moore’s mind-boggling performance to carry it
Chris says: “Pawel Pawlikowski’s follow-up to IDA is cut from the same fine-polished glass: set in post-war Poland and shot in 1:33 black-and-white by cinematographer Łukasz Żal, it spans a fifteen-year period (leading up to roughly the time of the