Bruce says: “MOOLAADÉ is a tale about female genital mutilation, a triumph of rationality over tradition. For years many cultures in Africa have practiced the ritual of female circumcision. Performed crudely with more attention to ritual than health and safety
Esmé says: “Well it made me cry till the back of my neck was soaked. I was irritated by Collette’s irritability at the beginning, but really moved by her passion in the middle and her grief at the end. I
Bruce says: “I LIKE KILLING FLIES is an engaging character study. Kenny Shopsin is an original. He is never without an opinion or ever at a loss for words. He refers to himself as an endangered species, a closet intellectual.
Bruce says: “ONE FLEW OVER THE CUCKOO’S NEST taught us what better topic for black comedy than lobotomy. FRANCES, a tour de force for Jessica Lange, approached the subject in a somber manner. Along comes A HOLE IN ONE, directed
Bruce says: “BON VOYAGE is a French bedroom farce without a bedroom…well not totally, bedrooms do figure into the plot here and there. It’s just that the German invasion of Paris, secrets about the atom bomb and a nasty corpse
Michael says: “YOSSI AND JAGGER is a film with a deceptively simple story that comments on several issues in just over an hour. Simply put, this film deals with the love story between two male soldiers in the Israeli Defense
Bob G. says: “With LOST IN TRANSLATION, Sofia Coppola neatly captures the slightly Twilight Zone’ish feeling of being out of touch with everything and everyone around you. Yet she does so with such unassuming ease and good humor that you
Chris says: “Honest and sad little British film about a couple that give birth to a prematurely born baby. Like LILJA 4-EVER (only gentler), it’s not an easy one to watch, but you will get so caught up in the
Michael says: “Day 2 of the Boston International Festival of Women’s Cinema saw Rose Troche and her third film, THE SAFETY OF OBJECTS. Based on the short stories of A.M. Homes, Troche elegantly weaves the disparate stories into a unified
Michael says: “Catching up on my Canadian films, this romance directed by Deepa Mehta (WATER; FIRE) was adapted from a novel by the talented Carol Shields. It played the Toronto International Film Festival in 2003, and was released in Canada