Chris says: “Home to Hollywood, sprawling metropolis Los Angeles is the most photographed city in the world. Thom Andersen’s equally sprawling, ambitious documentary uses this little factoid as a jumping off point to explore not only how filmmakers have portrayed
Michael says: “Agnès Jaoui is a talented actress. She is also a talented director and screenwriter! LOOK AT ME is the sixth film she has co-written with her husband Jean-Pierre Bacri (who also stars in LOOK AT ME) and the
Bruce says: “INNOCENT VOICES gets my vote for the best cinematography in 2005. From the opening scene of the solders’ footsteps in the rain, it is clear this film will be a visual treat. The night scenes, particularly the frightening
Hilary says: “Writer/director/actor Yvan Attal and real-life wife Charlotte Gainsbourg (stars of 2002 Chlotrudis-eligible MY WIFE IS AN ACTRESS) team up again as Vincent and Gabrielle, a couple struggling with marriage, family life, fidelity, and identity. Vincent spends much time
Bruce says: “Social satire is tricky business and I, more often than not, find it distasteful. Not so in the case of FEAR AND TREMBLING a wonderful satire of the clash between Japanese corporate culture and the shocking ‘western’ behavior
Bruce says: “***SPOILERS*** “Buoyed by top notch acting and a wickedly comic, insightful script, Hans Weingartner’s THE EDUKATORS keeps us in the edge of our seats while it teaches us some valuable lessons about human nature, politics, ethics and integrity.
Michael says: “This delightful French sex farce from the director of THE ADVENTURES OF FELIX, is a pleasure from start to finish. Mark and Béatrix are spending a summer in their seaside villa in Italy with their two teenaged children.
Bruce says: “CAFÉ LUMIÈRE is Hou Hsaio-hsien’s tribute to Yasujiro Ozu, the Japanese master whose films are noted for their breathtaking beauty and their gentle narrative of everyday life. Ozu’s great attentions to the details of the environment his characters
Shannon says: “I don’t really have time to give this review the attention it deserves, but I saw BROKEBACK MOUNTAIN at the closing night of the Denver International Film Festival on Saturday. I woke up Sunday morning with the film
Bruce says: “After playing in film festivals for over two and one half years (January 2000 – August 2002) 6IXTYNIN9, never found distribution in the United States. As a result of the success of Ratanaruang’s LAST LIFE IN THE UNIVERSE,