Bruce says: “A few years back had Brian Steidle looked in the mirror he would have seen a U.S. Marine starring back, a military career man not far removed from the days when he was a college beer drinking champion.
Michael says: “With an outstanding cast and a handful of Independent Spirit Award nominations (including Best Director, Best Feature, and Best Supporting Actress), I would have thought that Karen MoNcrieff’s somber, powerful film, THE DEAD GIRL, would have had better
Hilary says: “This documentary gives new weight to the maxim that some people’s truth is stranger than fiction. “Burt Pugach and Linda Riss met and embarked on a rocky romance in the late ’50s. Burt was a successful ambulance-chasing lawyer
Barbara says: “Definitely one of my favorites this year. A film that makes you think about chance and how we react to what life throws at us. Hard to figure out who the heroes really are. The Coens have done
Bruce says: “‘The films you care about are the ones you make with a lot of love and not much money,’ claims director Michael Caton-Jones. BEYOND THE GATES was made in six months for $3 million Euros. The film has
Chris says: “I’ve seen a number of films that copy the formula set in motion by the spelling bee documentary SPELLBOUND, profiling individual participants and charting their progress as theycompete or work towards a unified goal. Produced for HBO but
Bruce says: “Sexual abuse is not the first topic that comes to mind when black comedy is mentioned. Although THE ART OF CRYING is technically comedic in nature, its aim is dead serious. The story takes place in 1971, a
Bruce says: “Opulent, expensive and larger than life, this adaptation of a best-selling Egyptian novel is the type of film one rarely sees anymore. Clocking in at nearly three hours, it’s both a Robert Altman-esque intersecting narrative ensemble piece and
Michael says: “Deepa Metha’s WATER marks the final installment in her elements trilogy, films set in India, highlighting some of that country’s social injustices. Set in the 1930’s Mehta backdrops her story with the decline of England’s colonial rule and
Michael says: “Michael Winterbottom is certainly one of the most eclectic filmmakers around. His body of work includes personal dramas such as WONDERLAND and BUTTERFLY KISS; political films such as WELCOME TO SARAJEVO; period pieces like THE CLAIM; science fiction