Jason says: “To a certain extent, I don’t care who the audience for WOMEN IN TROUBLE is – it made me laugh out loud and then did a little more than amuse me, and that makes it good in my
Bruce says: “Sonia (Félicité Wouassi) is having many difficulties – with her gambling husband George (Mamadou Dioumé), her pregnant daughter Suze (Elisabeth Oppong), her seemingly suicidal pre-adolescent son Leo (Charles-Étienne N’Diaye) and her son Victor (Ralph Amoussou) who is running
Michael says: “Drawing parallels between the chaos of making a film and that same unpredictability in life, Tsai Ming-liang has made his most far out and in many ways exciting movie to date. Kang, who we have come to know
Jason says: “UNMISTAKEN CHILD is an example of my favorite sort of documentary, the fly-on-the-wall film that looks and feels like a narrative feature. It tells its story by marshaling extraordinary access and patience, rather than cutting cutting away to
Jason says: “A TOWN CALLED PANIC hit me just right tonight; it might not have on another day. It is, you see, an extraordinarily silly animated film, and sometimes one just doesn’t feel like silliness. Of course, those times may
Jason says: “Anthology films like TOKYO ONLYPIC should probably not be graded on how good they are as a whole, but more on how good the best segments are, and how man segments should be in that group. On those
Thom says: “Everyone will be familiar with Yakusho from his handsome, athletic, lead performance in the great Japanese film SHALL WE DANCE. Here, in his first try as a director & script writer, he more than ably directs himself and
Jason says: “I wish I could take credit for this line, but it was the lady in the next seat over who turned to me after the Fantasia screening of THIRST and said ‘isn’t it cool to see a vampire
Michael says: “Who would have thought that a documentary on the life of Bertold Brecht, politics, and the rehearsals and staging of ‘Mother Courage and Her Children’ in Central Park starring Meryl Streep would make such compelling theater? Well we
Diane says: “Loved SUGAR. More kudos to that fab filmmaking duo, Boden-Fleck. SUGAR is beautifully filmed and edited. Every shot has an emotion underlying it. This baseball ignoramus was able to get the story completely. My only complaint: I thought