Jason says: “So, it looks like I’m going to have to start putting Jo Nesbø stuff in my Amazon basket, as any guy who comes up with the raw material for both this and HEADHUNTERS is my kind of darkly
Michael says: “Kirby Dick won the Chlotrudis Award for Best Documentary with his film THIS FILM IS NOT YET RATED. Now he tackles sexual violence in the military with the same intensity and passion. This film is tough to watch,
Jason says: “Hey, festivals, I know all I really want to know about the porn industry. Really, you can stop screening docs about it and films that are set there; folks give me funny looks after I tell them what
Thom says: “This unsentimental winner is yet one more great representative of the Film Movement visionary picks. This might well have come from the family-orientation oeuvre of an Ozu until we realize that this film will veer off into wacky
Jason says: “The easiest way to describe GRACELAND- a twistier, less philosophical take on Akira Kurosawa HIGH AND LOW- maybe does it a disservice by making it sound like it is less than its potential. That’s not particularly true; it’s
Jason says: “Even if the name of GRABBERS didn’t make one think of the monsters in TREMORS, the rest of the movie would, in the best possible way. It has the things that this sort of movie needs to succeed
Michael says: “Saw my first film at the New Directors/New Films Festival in NYC this weekend, and it was powerful. Noora is a young woman living in Iran who is in some sort of trouble. She has been barred from
Chris says: “Creativity is nebulous; what inspires and motivates us often varies maddeningly from one artist to another, making it near impossible to form a general hypothesis on how people create. And yet, certain motifs and a collective camaraderie emerges
Bruce says: “Based on the novel by Chantal Thomas, director Benoît Jacquot gives the final days of Marie Antoinette (Diane Kruger) and the Court of Louis XVI the upstairs/downstairs treatment. Events are seen and heard through the eyes and ears
Thom says: “Winterbottom, a must-see director as much for his style which isn’t all that discernable as his willingness to expand his horizons by making a variety of genres and techniques. You’ll, of course, recall his THE KILLER INSIDE ME,