Chris says: “So, Ryusuke Hamaguchi, what are you doing now after all that acclaim (including the Palme D’or and an Oscar) for DRIVE MY CAR? A study of an environmental threat towards a remote community whren a corporation wants to
Gil says: “The debut film from director Celine Song is definitely one of the year’s best so far and I look forward to seeing this film reach a larger audience. The film tells the story of Nora and Hae Sung,
Michael says: “This enlightening documentary about the tragic death of a young surfer from shark attack off the coast of Cape Cod did two major things for me. It granted me a newfound respect for the job of lifeguard, and
Michael says: “A social commentary that starts off wickedly funny and gets progressively darker, even while maintaining an edge of humor. Tackling paranoia, mob mentality, fear-mongering (so relevant in today’s world), race and class, WE MIGHT AS WELL BE DEAD
Michael says: “For second outing as writer/director, French artiste Léa Mysius tackles mystic melodrama with largely successful results. An eight-year-old girl with supernatural smelling abilities, an forbidden romance, a tragic fire, and some time travel all add up to a filled-to-bursting
Chris says: “Reassuring (if depressing) that cine-activists like the Dardenne Brothers will never run out of subjects fueling their outrage at an unjust society; this is one of their starkest and most effective critiques. 4.5 cats“
Chris says: “British writer-director Raine Allen-Miller’s widely praised feature debut has all the elements a good rom-com should (sharp screenplay, appealing leads w/chemistry, plenty of laughs) but also an actual perspective that’s deeply felt in everything from the visual design
Amanda says: “BLACKBERRY is a biographical comedy-drama film that chronicles the captivating journey of Mike Lazaridis and Jim Balsillie in Waterloo, Canada that starts in the late 1990’s. These two individuals played a pivotal role in shaping the extraordinary ascent
Chris says: “Two young Berliners, Leon (Thomas Schubert), a writer struggling to finish his novel and his friend Felix (Langston Uibel), a photographer, take a trip to a cabin in the woods near the Baltic Sea owned by Felix’s mother. Upon
Michael says: “I went into THE QUIET GIRL with only the knowledge that it was spoken in the traditional Irish language, and the image or the young girl on the poster. I knew nothing else about it. As the film