Jason says: “There’s a whiff of nostalgia to the start of GIOVANNI’S ISLAND, although it’s more for childhood in general than the yearning for simpler, presumably better times that can often infect Japanese cinema, but that passes. Indeed, it’s hard
Jason says: “Not being a drinker, I’m probably appropriating a terrible metaphor here, but this movie strikes me as being like a certain kind of binge: You start out down, but soon the alcohol gets you and everything is crazy
Jason says: “I didn’t quite avoid LOVE ETERNAL when it played at another festival last year, but I certainly didn’t have much trouble choosing what was on the other screen whenever the Irish death-fetish film was playing. I’m not saying
Bruce says: “Luminita Gheorghiu (4 MONTHS, 3 WEEKS, 2 DAYS; 12:08 EAST OF BUCHAREST; THE DEATH OF MR. LAZARESCU; BEYOND THE HILLS has to be one of the first ladies of the Romanian silver screen, yet none of her prior
Michael says: “I’ve been watching a bunch of 2014 films on DVD or streaming this past week or so in preparation for nominations. I’m planning on doing a quick round-up of these films soon, but this latest film is the
Bruce says: “Several years back, dogged director Phillippe Le Guay travelled to the Île de Ré near La Rochelle to deliver a script to actor Fabrice Luchini who was not returning his calls. Luchini, a well-known stage actor, had a
Kyle says:”A welcome respite from gangsters and ninjas, the New York premiere of this delightfully whimsical comedy is the remarkably assured work of director Hou Chi-jan, who directed the insightful documentary on Taiwanese cinema history called TAIWAN BLACK MOVIES —
Jason says: “WISH YOU WERE HERE pulls off something of a neat trick, even if it doesn’t always mean to: The filmmakers might not have anticipated Joel Edgerton and Teresa Palmer getting top billing Stateside (they’ve each put on North
Jason says: “Ever since THE BLAIR WITCH PROJECT kickstarted the boom in found-footage horror a decade and a half ago, there’s been a tendency to make the form ever more elaborate, until the likes of CLOVERFIELD and TROLLHUNTER are basically
Jason says: “For all that the interconnectedness of today’s world can make it harder for something to truly take one by surprise – there’s non-stop casting news, coverage, previews, and analysis of it commercial and artistic outlook to the point