Jason says: “If they have any ambition at all, both good and bad time-travel movies make the viewer’s head hurt a little bit thinking about how the plot fits together; the good ones make the us like it. By that
Jason says: “That James Franco always seems to have more ambition than one would think should have stopped surprising me a few of his less mainstream projects ago, but it hasn’t. It should no longer shock to see another member
Jason says: “OMAR starts with its title character scaling a wall to travel between two Palestinian areas of Jerusalem, and while I don’t know the exact rationale for that arrangement, a spy movie can do a heck of a lot
Chris says: “This quasi-romance seemingly contains all the right ingredients for an English language remake: appealing leads, the mysterious allure of a missed connection, comic relief from an unseen (but certainly not unheard) neighbor. Fortunately, the one thing preventing such
Chris says: “From a contemporary viewpoint, it’s unexpected to discover that Roger Ebert had no academic background or concentrated expertise in film when he secured his post as The Chicago Sun-Times’ film critic in 1967. Of course, there were few
Jason says: “There is something to be said for filmmakers (or anyone) getting out of their comfort zone. Both directors Aaron Katz and Martha Stephens are known for certain types of movies – Katz for some of the better youth-oriented
Kyle says: “THE JAPANESE DOG is yet another outstanding film from what cineastes refer to as either the Romanian New Wave or the New Romanian Cinema. The title refers to a plastic toy dog that waddles, flashes lights, talks ‘baby
Jason says: “Where is the exact line between a movie being a darkly funny revenge story and a full-on, pitch-black dark comedy? In the case of IN ORDER OF DISAPPEARANCE, I think it is crossed early on in a gag
Jason says: “You can finish ILO ILO and come away feeling like you’ve seen something more uplifting than it really is, and it would not shock me if a fair amount of people identified with the parents of a problem
Jason says: “I can’t recall Tommy Lee Jones ever working with Werner Herzog at any point, and that’s probably for the best. THE HOMESMAN suggest they may be too much on the same page about how the untamed wilderness not