Michael says: “Zhangke Jia’s twelfth, full-length feature narrative, CAUGHT IN THE TIDES, is a challenging yet fascinating construction of his own past and present work to tell the tale of a woman searching for her beloved over decades. The film
Jeff says: “An early season favorite for me. Filmed in Cuba by an Italian director and crew, OCEANS ARE THE REAL CONTINENTS takes its cue, fittingly, from Italian neorealism, telling three proletarian stories set in a small town in the
Michael says: “What a delight it was going into the film FLOW with no knowledge of the plot, other than it was a dialog-free, animated film about a cat. As the film began, it quickly became apparent this this tale
Laks says: “The former British Prime Minister had caused international scandal when he blew off the Greeks on discussing the restitution of the Parthenon sculptures and the establishment echoed the same tired colonial nonsense as it does to all nations,
Chris says: “A considerable advance over Matthew Rankin’s previous weirdo-Canadian feature THE TWENTIETH CENTURY while also barely resembling it. Maybe the funniest, most original film I’ve seen in ages? Also, while not quite HUNDREDS OF TURKEYS, I was not expecting
Diane says: “Iranian director Mohammad Rasoulof indicts the harsh and corrupt Iranian legal system through the lens of one family in THE SEED OF THE SACRED FIG. As the seedlings of the fig strangle their parent, here a man finally promoted
Chris says: “If Alexander Payne’s last film, 2017’s sci-fi allegory DOWNSIZING was a big swing and a miss, his latest plays it much safer for the benefit of everyone involved. A return to smart, dyspeptic comedy, THE HOLDOVERS also reunites
Val says: “This heart-soaring story of Mats ‘Ibelin’ Steen was excellently told by Benjamin Ree, who hit the archival jackpot with his chosen subject. Not only did Ree have access to extensive family videos, but footage from a professionally produced
Chris says: “Ken Loach’s supposed final feature is one of the more socio-politically relevant films you’ll see in these challenging times. Set in a small former mining town on the eve of the 2016 Brexit vote, this takes a fairly
Chris says: “If you’re a Mubi subscriber and a fan of slow Asian cinema, I recommend this 2019 film from director Wang Xiaoshaui, best known for BEIJING BICYCLE (2001) and also SHANGHAI DREAMS (2005), which I saw and loved at