Ibad says: “Vincent Cassell informs his group of New York City ballet dancers that he’s going to stage the old staple of ballet, Swan Lake. But it’s going to be different. It’s gonna be stripped down, visceral, real. “He chooses
Bruce says: “Laurent Cantet burst on the scene with the admirable first effort, HUMAN RESOURCES. His next films, TIME OUT and HEADING SOUTH, proved that he is on an upward trajectory. THE CLASS, winner of the Palme d’Or at Cannes,
Jason says: “In short: Best vampire film in a long time, but almost impossible to review without a big-time spoiler for something that happens relatively early on. I don’t know when and how this will actually come out, but you
Jason says: “That star rating generally indicates that PAPRIKA is a nearly perfect film, which I’ll admit isn’t the case. Here’s the thing, though – there is just so much good stuff crammed into it that I’m willing to overlook that.
Chris says: “I’m convinced that Helen Mirren is capable of anything: She can quietly steal scenes in a Robert Altman ensemble piece (GOSFORD PARK), turn a recurring role into an icon (television’s ‘Prime Suspect’) and even survive an embarrassment like
Chris says: “Surprisingly effective documentary about a 1930s woman’s swim team formed at Hakoah, a Jewish sports club in Vienna. Given the place and time, you can guess that the team did not survive into the 1940s. Fortuantely, its members
Bruce says: “FATHER AND SON opens with a close-up of two men, one holding the other. There are no immediate clues but as the scene unfolds we learn that it is a father and his son, who is having a
Georgette says: “A man (Johnny Hallyday, French rock star and actor) gets off of the train in a quiet, cold, dark, French village. His headache sends him to the nearest pharmacy for aspirin. As he leaves the pharmacy, he realizes
Diane says: “Well, the Village Voice might have called it ‘a gluttonous buffet of Sundance clichés, with an acid-reflux aftertaste of condescension and unexamined racism,’ but I’m giving it 5 cats! “PIECES OF APRIL was another delight–the story of a
Bob says: “The film raises some very interesting questions without coming out and asking them. Pekar’s work is all about portraying real life, but of course it’s all filtered through multiple lenses: his own perspective of events, his choice of