Jason says: “There are two sorts of horror movies in the world: The kind looking to make the audience jump with a thrill of excitement and the kind aiming to make them shake because they’ve been confronted with an idea
Bruce says: “THE BROKEN CIRCLE BREAKDOWN is a melodrama that could have been a disaster in lesser hands than that of director Felix Van Groeningen who interjects whimsy into a tale of romance and heartbreak. Adapted from a play, the
Jason says: “I kind of wish 20 FEET FROM STARDOM hadn’t just come out and said that the story of backup singers is the evolution of popular music over the last fifty years, from gospel-trained black voices pushing stiff WASPs
Michael says: “When Kat and Vic, two old friends who performed together in a punk rock band twenty years ago are reunited, tensions are high, but so are the powerful memories of a strong bond that the two women shared.
Bruce says: “In 1970-71 Charles Manson along with a trio of his followers – Susan Atkins, Leslie Van Houten, and Patricia ‘Katie’ Krenwinkel – were tried for killing five people at the home of Sharon Tate on August 9, 1969,
Beth Caldwell says: “This was a very interesting documentary. When I went into the film I had heard it was a good documentary, but I was less than enthused because I don’t really like Joan Rivers. I didn’t think she’d
Ibad says: “Vincent Cassell informs his group of New York City ballet dancers that he’s going to stage the old staple of ballet, Swan Lake. But it’s going to be different. It’s gonna be stripped down, visceral, real. “He chooses
Bruce says: “Laurent Cantet burst on the scene with the admirable first effort, HUMAN RESOURCES. His next films, TIME OUT and HEADING SOUTH, proved that he is on an upward trajectory. THE CLASS, winner of the Palme d’Or at Cannes,
Jason says: “In short: Best vampire film in a long time, but almost impossible to review without a big-time spoiler for something that happens relatively early on. I don’t know when and how this will actually come out, but you
Jason says: “That star rating generally indicates that PAPRIKA is a nearly perfect film, which I’ll admit isn’t the case. Here’s the thing, though – there is just so much good stuff crammed into it that I’m willing to overlook that.