Jason says: “I passed on seeing THE MISSING PICTURE one night this week, overstating in my head how tight a squeeze it would be to get to the theater on time because I wasn’t in the mood for it that
Kyle says: “THE JEWISH CARDINAL disappoints in the way of most fictional accounts of real people and events: The messiness of life must be reduced to the neatness of fiction. This account of the relationship between Jean-Marie Aaron Lustiger, Archbishop
Jason says: “I AM HERE is heart-and-gut-wrenching in its first act, taking horrific events and making them hurt more with things that would at first glance have the opposite effect. It’s not quite so sure-handed when it starts to actually
Jason says: “A little over ten years ago, director Jang Joon-hwan made a good-sized splash with a film by the name of SAVE THE GREEN PLANET, but after that, barely a peep. He certainly seems to have come back to
Jason says: “Sitting down for MISS GRANNY, I had a horrible fear – what if this was 200 POUNDS BEAUTY again? The template, right down to the newly-cute protagonist becoming a singer, was sort of the same, and it certainly
Kyle says: “Every year in late March, the Film Society of Lincoln Center and the Museum of Modern Art co-produce a festival called New Directors/New Films. Screenings take place at the FSLC’s Walter Reade Theater, and at MoMA’s Ray and
Jason says: “I must admit to not having a particular affinity for movies about gangs, and I kind of worry that being drawn to this one because it is set in South Africa rather than an American city doesn’t speak
Jason says: “SNABBA CASH II was released under the title EASY MONEY: HARD TO KILL in the US last week a year and a half after it played in Sweden. This choice of date and title apparently driven by a
Jason says: “CHEATIN’ is the new Bill Plympton movie, his first feature since 2008’s IDIOTS AND ANGELS, and it’s a fine demonstration that over thirty years as an independent animator, he hasn’t dulled his edge much while carving out his
Thom says: “It’s a rare film where I have a personal connection with the protagonist, no matter how small, which is the exact case here where for one semester on my way to my B.A. in Film from San Francisco