Bruce says: “BUKOWSKI: BORN INTO THIS is a documentary about the poet and novelist Charles Bukowski who was known to his friends and business associates as Hank. Born in 1920, the act of writing came early for Bukowski but success
Hilary says: “Annette Bening moves to the top of my growing Best Actress nominations list playing Julia Lambert, a stage actress of a certain age, in 1930s London. It is refreshing to see a woman over 30 who both acts
Barbara says: “I really liked this movie and after seeing it was able to look back at ON THE RUN and think better of it. After seeing ON THE RUN Mary, Tim and I all sort of went ‘Huh?’ Of
Barbara says: “After much discussion Mary and I both agreed that this was the best made film of the trilogy but we enjoyed AN AMAZING COUPLE the most. After seeing AN AMAZING COUPLE I didn’t think I could ever like
Esmé says: “My second favorite movie of the year was a documentary. After I watched it, I drove to Western Mass in the morning. Every flock of flying birds made me want to be up in the sky with them,
Laura says: “This outstanding omnibus is a French production featuring a short film from 11 global filmmakers. Their only guidelines were that the film be a reflection on 9/11 and that it be 11 minutes, 9 seconds and 1 frame
Howard says: “Ahoy, me hearties! The pirate movie be back and, blimey, if it be keelhaulin’ the scurvy-ridden bilge that be marooned in yon summer theaters. “PIRATES OF THE CARIBBEAN: CURSE OF THE BLACK PEARL is a big, sprawling adventure.
Peg says: “THE NAVIGATORS, directed by Ken Loach, is a fictional story of an all-too-real situation: the deregulation and increasingly-private ownership of the railway system in Great Britain. The script was written by a former railway employee, Rob Dawber, who
Michael says: Aki Kaurismäki’s THE MAN WITHOUT A PAST is a quirky, romantic comedy with deadpan humor, and a pair of terrific leads. This tale of amnesia avoids many of the cliches of a bad man whose memory is wiped
Hilary says: “Only a few scenes into THE HOURS I found myself wishing I could start the film over and view it without the Philip Glass score. The score was used in a heavy-handed fashion, cueing the viewer to the