Michael says: “Mina Shum reunites with her DOUBLE HAPPINESS star, Sandra Oh for this funny, poignant and slightly sentimental look at several Asian-American families living in Vancouver’s Chinatown. Oh plays a single mother whose husband left her suddenly to care
Bruce says: “It’s only cartoon violence. That makes it OK, right? Killing, when done for revenge, can be joyous fun, can’t it? The Bride (Uma Thurman) doesn’t actually wink at the audience after each kill so perhaps I’m getting carried
Michael says: “JAPÓN is a bold and audacious first film from Mexican director Carlos Reygadas. There is an undeniable power in its imagery and its worldview, both beautiful and brutal. Yet for a first film, it also plays a little
Laura says: “After the death of their father, Dinah (Helena Bonham Carter, NOVOCAINE) stays briefly at her sister Madeline’s (Olivia Williams, THE SIXTH SENSE) London townhouse, frustrating her sister’s sense of decorum while delighting her nephew Anthony (Luke Newberry) and
Hilary says: “Being a sucker for musicals I have to admit that I enjoyed the first half of this film. After that it descended into Formulaic Hollywood Romance territory with Heather Graham playing yet another naïve porn star. If only
Howard says: “The biggest surprise this summer turns out to be the one that everyone rolled their eyes at. FREAKY FRIDAY, yet another Disney remake of one of their own films, is a well-acted, well-scripted piece of family fluff. For
Laura says: “Tyro director Jordan Melamed gets natural and perceptive work from a cast comprised of amateurs and professionals. They mine their own truths improvising their way around actors Michael Bacall and Blayne Weaver’s script despite some genre cliches. However,
Michael says: “One might think that the docuemntary CINEMANIA might have something to do with people similar to some Chlotrudis members we all know. One would be WRONG! CINEMANIA is a documentary examining the rather extreme and bizarre lives of
Michael says: “Maverick independent filmmaker John Sayles takes a look at the different paths open to children in modern-day Mexico in CASA DE LOS BABYS, a film that offers no answers, but highlights some terrific acting. The film is centered
Howard says: “Don Coscarelli, writer and director of BUBBA HO-TEP, has his heroes. It’s quite obvious after seeing his ode to Elvis and JFK that Coscarelli wanted to give the two men a chance to make up for alleged past