Brett says: “VOX LUX is a demolition derby of themes that keep colliding after the initial premise is introduced. Just when the viewer thinks that he/she has a finger on what this movie is, another head-on impact from writer/director Brady
Diane says: “The reason I went to see MID 90S, Jonah Hill’s directorial debut, was so I could admire Sunny Suljic’s hair again. (Sunny was the sweet little boy in KILLING OF A SACRED DEER.) Here Sunny plays Stevie, a
Chris says: “Fairly pedestrian for a profile documentary—more worthy of CNN than a theatrical release, really. But Andre Leon Talley’s personality is welcome in almost any setting. Just as he nearly stole the show from no less than Anna Wintour
Chris says: “The title refers to a highly-touted conceptual piece on display at a Stockholm Art Museum, but as we know, a square is not always just an object. Could it actually refer to a person, like curator Christian (Claes
Jason says: “The festival opened with a film (400 DAYS) that covers a lot of the same territory – global cataclysm happens while astronauts are undergoing long-term isolation trials – and this one is easily much better, despite having a
Jason says: “The professional sports industry churns out a tremendous amount of non-fiction films every year, and the number is probably only going up with the sheer number of cable sports channels with time to fill, especially during the off-season.
Brett says: “If anyone hasn’t gotten the memo, Bel Powley is an extremely captivating performer on screen. In the coming-of-age film CARRIE PILBY, Powley sets the tone from the very first shot with casual, subdued mannerisms that make all the
Jason says: “It’s no bad thing, I say, that WYRMWOOD feels like a season’s worth of an eventful TV series packed into an hour and a half; it’s an exhausting ride at times, but there’s not ten or fifteen minutes
Jason says: “I suspect that film fans are going to talk THE WOLFPACK up more than it truly merits; the only thing we like more than an amazing story is meeting folks who love movies as much as we do,
Jason says: “I suspect that TWENTY being successful enough in South Korea to merit a quick try-to-beat-the-pirates release in the United States owes as much to the popularity of its good-looking young cast as anything else; it’s not a particularly