Chris says: “It’s one thing to think of Greta Thunberg as a sound bite or a headline—the outspoken, determined, teenaged Swedish climate change activist; this doc presents her as something more by recording her journey from lone striker sitting on
Chris says: “Kelly (Nika McGuigan) returns home to her Northern Ireland border town after running away the year before, to both the relief and consternation of her family, including her close sister Lauren (Nora-Jane Boone). What Kelly ran away from
Thom says: “This film was adapted from the novel Love and Other Impossible Pursuits by Ayelet Waldman. This didn’t really win me over but perhaps it was a matter of relating to it. Emilia Greenleaf (Portman) a young lawyer sets
Thom says: “This film was adapted from the gigantic best-seller of the same name by Donna Tartt. When my brother Chuk and I had taken our previous cat Mandy in for a check-up I remember the lady veterinarian and Chuk
Janet says: “Rented this from my library yesterday (with bonus scenes!) after years of curiosity. For a film that got so much press, it seemed quite ordinary. It has trouble getting traction between the big jokes, mostly because the lead
Chris says: “Yet another variation on THE FULL MONTY formula, but a mostly likable one thanks to James Purefoy’s sturdy presence and Cornwall-as-character, which is at least striving to do for the southwestern tip of England what LOCAL HERO did
Chris says: “Enjoyable if average overview of the ’60s/’70s Canadian singer with an ultra-distinctive voice. Nearing 80, Lightfoot now looks like a shell of his former self, but he remains lucid and approachable about his career (and can still hit
Thom says: “Oh dear, amidst Danny Boyle’s really great films including SLUMDOG MILLIONAIRE, TRAINSPOTTING, 127 HOURS, & SUNSHINE there was always the stench of mediocrity in THE BEACH, A LIFE LESS ORDINARY, & TRANCE, & while YESTERDAY isn’t as bad
Chris says: “I’ll keep watching each one of these they make, knowing full well that the original remains the only essential entry. The attempt at pathos here renders it less satisfying than THE TRIP TO SPAIN, though Coogan’s bitchy summation
Michael says: “TAMMY’S ALWAYS DYING isn’t very original, but that doesn’t mean it’s bad. Catherine MacDonald doesn’t live the most glamorous life. She works as a bartender at her father’s hole in the wall; her mother is an alcoholic who