Jason says: “In addition to directing his own films, Luc Besson has spent the past decade or two writing and producing action movies tailored to their stars; Michelle Yeoh was arguably the biggest female action star in the world during
Jason says: “I can’t say I’m a particular fan of sushi; in fact, I’m quite the culinary coward. But you don’t have to like a particular food to admire fine craftsmanship and dedication, and those are things that Jiro Ono
Jason says: “It’s hard too believe that INTRUDERS is just Juan Carlos Fresnadillo’s third feature film; the past decade-plus has been pretty good for Spanish genre filmmakers whether working in their native tongue or English, and Fresnadillo’s 2001 film INTACTO
Jason says: “Su-yeon Gu’s HARD ROMANTICKER is one of those movies that feels like it was cobbled together from a bunch of anecdotes that don’t necessarily add up to a story, but is able to more or less able to
Jason says: “Krysten Ritter tends to make everything she’s in better, and as a result she’s been a go-to girl for best friends and sidekicks in romantic comedies and the like. It’s steady work, but if an actress doesn’t take
Bruce says: “In Provincetown I described GAYBY as a gay Judd Apatow film, thinking that was a terse description. I did not mean my comment to be pejorative in any way but it did prevent at least one friend from
Bruce says: “Norman Foster is one of the greatest living architects. His Reichstag in Berlin, the British Museum, the London gherkin, the Bilbao subway, the Hearst building in New York and the HSBC headquarters in Hong Kong are all worldwide
Chris says: “In rural Queensland, Australia, Peter, a father of four suffers a fatal heart attack while driving and hits the enormous tree next to his house. Soon, his wife Dawn (Charlotte Gainsbourg) and 8-year-old daughter Simone (Morgana Davies) sense
Diane says: “I read conflicting reviews of SUPER. One called it ‘an unwieldy mix of juvenile jokery and attempted pathos that just doesn’t pay off’ (SF Chronicle); another ‘the second coming of the avant-garde in indie film’ and ‘occasionally brilliant’
Michael says: “Peter Stormare gives a remarkably restrained performance as a small-town cop trying desperately not to give in to a violent past while investigating a local murder that touches close to home. Echoes of FARGO abound, in this economically