Michael says: “Pauline is a developmentally disabled woman in her mid to late sixties. She lives with her sister Martha, is fixated with her more glamorous sister Paulette, and has forgotten her youngest sister Cecile, who has moved away from
Laura says: “After diversions with career girls and period performers, writer/director Mike Leigh returns to the working class of SECRETS & LIES and LIFE IS SWEET. Within the confines of a dreary South London housing unit, Leigh and his actors
Laura says: “This French film has been made numerous times over the decades and de Broca’s version has a distinctly old- fashioned flavor that serves it well. ON GUARD! is classic cinema served up with heart and humor. “The old
Bob says: “I for one didn’t see much of a connection to Lang’s film at all. There is the setting — a huge mechanized city in which many of the people find themselves below the surface (literally and figuratively), an
Laura says: “Denis’ claustrophobic film evokes the sinister European wartime era feel of DOCTEUR PETIOT) where close houses hide dark secrets, and the downtrodden dankness of Claude Chabrol’s biopic of Marie Latour (THE STORY OF WOMEN), who was executed for
Michael says:”LIFT takes the viewer into the world of ‘boosters,’ or professional shoplifters to the rest of us. Set on the streets of Boston and Roxbury, Kerry Washington, so loved in OUR SONG, plays Niecy, floor manager of an upscale
Michael says: “LAN YU is a simple, well-conceived love story that takes place in Hong Kong during the late 80’s, during the time of the Tiananmen Square disaster. Handong is a successful business partner who spends a night with Lan
Michael says: “LAGAAN is a 4-hour psuedo-Bollywood epic of legendary proportions, filled with good triumphing over evil and injustice in a most satisfactory way. In fact, LAGAAN is structured very much like a legend, complete with predictable plot, and over-the-top
Laura says: “This documentary chronicles Kurosawa’s childhood, connecting significant events with images in his later films, as well as his development as a filmmaker, his relationship with actor Toshiro Mifune and his influence on other filmmakers. If you didn’t already
Howard says: “This is a well done movie. Mostly because of how well the myriad of characters that the script calls for was juggled. And guess what? They do a pretty bang up job. You may not now the characters’