Michael says: “Still reeling from her mother’s death, and finding herself in a stagnant marriage, Judith, a Japanese-Canadian woman takes her family to a couples’ therapy retreat. There her two daughters explore the Pacific coast while their parents work on
Chris says: “June Squibb found success late in life, well into her 70s and beyond when she appeared in small but acclaimed scene-stealing roles Alexander Payne’s ABOUT SCHMIDT and NEBRASKA; in both of these and many other film and TV
Chris says: “Alternate title: Everything You Ever Wanted to Know About Purple Martins (and Should Have Thought To Ask.) The largest species of swallows in North America, the Purple Martin resides exclusively in nesting structures in order to ensure their survival.
Michael says: “Like DAUGHTERS IN THE DUST, when a fil is described as a tone poem, it’s probably not going to be my cup of tea. That said, there is a lot I can appreciate about such films, and ALL DIRT
Chris says: “The longer I sat with this Argentinian film about a bank heist (but not really a heist film per se), the more I appreciated it, even if it really did not need to be three+ hours long. Apart
Michael says: “Also released in 2024, this brief film (61 minutes) focuses on a young aspiring filmmaker who travels with two colleagues (his cinematographer and an actress with whom he has worked before) to a coastal town to create a
Chris says: “This 1980s-set drama about a young teacher and Britain’s Section 28 legislation (which prohibited the promotion of homosexuality) is a bit heavy-handed at times in ways where, say, PRIDE was not. However, you should see it for Rosy
Chris says: “As with many music docs, it’s overlong and reaches a bit too far stylistically; still, better that than just skimming the surface or regurgitating well-known factoids which this has no trouble avoiding in part because its subject is
Chris says: “From the central conceit of the Mighty Morphin Power Rangers-esque pastiche to a suitably slimy Serge Gainsbourg tune playing at the opening, this is pure, unfiltered Quentin Dupieux madness; also, he should really consider an origin prequel series
Michael says: “Even though I wasn’t able to catch the IFFBoston’s much lauded closing night film, I ended my festival experience the night before with a very strong showing. This powerful tale of a Korean immigrant who comes to Canada