Chris says: “This colorful debut feature from Israeli director Ra’anan Alexandrowicz is a charming fable revising that well-worn tale of an innocent foreigner in a big city. Bright-eyed James (Siyabonga Melongisi Shibe), a young Christian minister, has traveled from his
Bruce says: “THE INHERITANCE is a complicated psychological drama about responsibility, manipulation, perception vs. reality and the prioritization of values. It is a very bleak and disturbing film. What I had read prior to seeing the film described the basic
Bruce says: “Once known as the Paris of the Middle East, Beirut was ultimately reduced to rubble by fighting that began in the mid 70’s and continued for at least a decade. People went about their business during the day;
Bruce says: “Which are your most memorable glamorous First Ladies? Eva Peron, Jackie Kennedy, Dewi Sukarno, Madame Chaing-Kai-Chek? These are all women of great beauty and style, who also happened to be extremely well-educated, very intelligent and had an incredible
Beth says: “Next up was the documentary HOWARD ZINN: YOU CAN’T BE NEUTRAL ON A MOVING TRAIN, narrated by Matt Damon (who famously included a reference to Zinn’s A History of the United States in GOOD WILL HUNTING). He’s a
Michael says: “Ah, the rollercoaster ride that is a Takashi Miike film. With his latest American release, GOZU, we have a ride that starts of slowly, if perplexing. Midway through, things have gotten downright freakish, but the pace is still
Michael says: “You can feel the Miramax hand on Marc Foster’s FINDING NEVERLAND, which is a shame, although doesn’t disrupt the film all that much. One suspects that it would have had a lot of the same sentimental elements because
Bruce says: “Mahmut (Muzaffer Ozdemir) and Yusuf (Emin Toprak ) both hail from the same mountain village. Mahmut, who is the elder by at least a dozen years, is a self-made man. He is educated, a successful photographer in both
Bruce says: “As demonstrated by the sensational performances of Ali Sheedy, Patricia Clarkson and Radha Mitchell in HIGH ART followed by Frances McDormand’s ultra-hip, oversexed mom in LAUREL CANYON, Lisa Cholodenko has established herself as a director who pushes women
Michael says: “If you’re looking for that last film to catch before you nominate, and your local video store has a good Foreign Film section, I highly recommend BROKEN WINGS, and Israeli film by writer/director Nir Bergman. This moving and