Beth says: “The latest from Korea’s Kim Ki-duk. A woman undergoes secret cosmetic surgery then reappears as a new woman who romances her boyfriend – is it the ultimate sacrifice, to make yourself anew for love, or the ultimate test,
Michael says: “French cinema has been delving into such societal issues as traditional home and work life in recent years in such films as Laurent Cantet’s L’EMPLOI DU TEMPS and HUMAN RESOURCES. Now, in his bold directorial debut, Robin Campillo,
Peter says: “With his new film SHORTBUS, John Cameron Mitchel again demonstrates why he is one of the most innovative writer/directors in independent film today. Mitchell, who also wrote, directed and starred in HEDWIG & THE ANGRY INCH this time
Michael says: “There is one reason to see SHERRYBABY, and that’s for Maggie Gyllenhaal’s fearless performance as Sherry, a single mother recently released from jail and on parole after serving three years for stealing to support her drug habit. It’s
Chris says: “In 2001, Richard Linklater’s WAKING LIFE merged live action with animation via a process called ‘interpolated rotoscoping,’ creating a fluid visual tableau that one could best liken to watching a painting coming to life. Much of its appeal
Bruce says: “Michael Winterbottom, one of the most prolific film directors currently working, is often attracted to political subjects in films like WELCOME TO SARAJEVO and IN THIS WORLD. Those films touched on the aftermath of wars in Yugoslavia and
Bruce says: “Being no fan of Salvatores’ Oscar winning MEDITERRANEO or the more recent I’M NOT SCARED, I was a bit hesitant about seeing QUO VADIS, BABY? While I was somewhat pleasantly surprised, the film is not without its problems,
Bruce says: “Identical twins Stephen and Timothy Quay have quite a reputation (albeit primarily as animators) considering THE PIANO TUNER OF EARTHQUAKES is just their second feature film. They were born in the USA but studied film in England where
Bruce says: “It is 2002 and Goni (Alberto Sanchez de Lozada), the former president of Bolivia, is seeking to regain office he held from 1993-1997. When his finds himself lagging behind Manfred (Reyes Villa) in the polls, he panics and
Michael says: “Michael Kang’s first feature film is a traditional coming-of-age tale about a chubby, 13-year-old, Asian-American boy who lives with his mother, grandfather, and younger sister in the seedy, roadside motel that they operate. This compact film starts off