Chris says: “From the central conceit of the Mighty Morphin Power Rangers-esque pastiche to a suitably slimy Serge Gainsbourg tune playing at the opening, this is pure, unfiltered Quentin Dupieux madness; also, he should really consider an origin prequel series
Michael says: “Even though I wasn’t able to catch the IFFBoston’s much lauded closing night film, I ended my festival experience the night before with a very strong showing. This powerful tale of a Korean immigrant who comes to Canada
Michael says: “It would be difficult for me not to like a documentary about Mary Tyler Moore, an actor and celebrity that I am obviously very well aware of, have enjoyed in many TV and movie appearances, but actually not
Michael says: “MONICA is a finely constructed story about a fractured family reunited with the decline in health of the surviving matriarch. The title character particularly hasn’t had any contact with the family for years, and her return is brought
Brett says: “A kitchen sink drama that cuddles up with SCARFACE? Count me in. CHARCOAL is an anomalous genre bender out of Brazil that is part Tennessee ‘Joanópolis’ Williams and part Mario ‘CV’ Puzo. “Irene and Jairo are wife and
Jeff says: “More experimental than straight up horror, SKINAMARINK looks like a fourth-generation VHS copy of a film originally shot on 16mm around 1972. It’s so grainy, you might find yourself asking if that fuzzy spot in the upper corner
Michael says: “An extended family living in Alcarràs, a small village in Catalonia has spent every summer they can remember harvesting peaches from their orchard. Now their way of life is threatened after their patriarch dies with a desire to seek their
Michael says: “Coming-of-age films are a dime a dozen, but what makes a film in this genre successful is when the experience is tackled with honesty and relatability, something Mei Making does quite weak in INBETWEEN GIRL. Asian-American Angie is
Chris says: “Fassbinder’s BEWARE OF A HOLY WHORE in the time of Covid lockdown with a similar ennui but richer colors and textures, not to mention petty complaints about breakfast options. 3.5 cats“
Chris says: “The form’s nothing special when you consider more ambitious rock docs from ANVIL! THE STORY OF ANVIL to THE VELVET UNDERGROUND; fortunately, the content tells such an essential, long-obscured story that you come away from it practically beaming