Jason says: “2011’s HAUNTERS was an excellent Korean movie that established a simple premise – two people with opposite superpowers (mind control and rapid healing) on a collision course – and delivered with entertaining action pieces, a likable cast of
Jason says: “Keep your eyes on Dominique Agisca Diyose, action fans of the world. She’s a looker from Indonesia, a good enough actress for the sort of material she’s given here, and she certainly looks like she can throw down
Jason says: ““Is it cynical of me to start counting shots between a ‘New York 2001′ caption and the first glimpse of the World Trade Center, or of writer/director Snow Zou for putting the audience in that position? That’s not
Jason says: “ANOTHER ME didn’t look like much – a young-adult thriller that likely would have gone straight to video-on-demand but for a slow release week and the fact that the other line on star Sophie Turner’s filmography is ‘Game
Jason says: “As with many movies based on true stories, SAVANNAH ends with a few screens of text summing up the lives and accomplishments of its subjects, and for Ward Allen it states that he was an eloquent advocate of
Jason says: “It doesn’t happen very often, but RUBBERNECK is almost too simple to classify. It’s got characteristics of both a thriller and an indie drama of the character-study variety, but the only thing that seems unique about it is
Kyle says: “RENGAINE is called a ‘no-budget urban drama’ in the New Directors/New Films program note; this is obvious from the number of duties director Rachid Djaïdani is credited for in the end titles. So let us issue a shout-out
Thom says: “It’s been 36 years since director De Palma was in his hey-day as he captured my FILM-OF-THE-YEAR with CARRIE (1976). Since then he’s not been reliable although certainly he’s had such huge successes as SCARFACE and DRESSED TO
Jason says: “It is, almost undoubtedly, a sign of encroaching middle age that the first thing that annoyed me about THE LIFEGUARD was the way that the characters not even a full generation younger than me acted. But I figured,
Bruce says: “The film opens with Busu, a disheveled man in an institutional waiting room, talking to anyone who will listen. It seems he has a story to tell and at first it is impossible to know how he fits