Chris says: “My policeman has a first name, It’s H-A-R-R-Y; My policeman has a second name, It’s S-T-Y-L-E-(S); Oh, he struggles playing aloof and gay, And the adapted screenplay’s just okay, But David Dawson steals this film; He’s better in
Vicki says: “I am definitely in the minority on this one. Most people find Jenny Slate’s voice cute and endearing. To me, it sounds like ‘nails on a chalkboard.’ That alone made me feel like running out of the theater.
Chris says: “It almost pains me to conclude that Claire Denis is not infallible after all, or perhaps Arty Soap Opera just doesn’t play to her strengths. Binoche and Lindon are both good, but when are they ever not? 2
Brett says: “A few scenes into ALLELUJAH, it might become apparent that this could function as a stage play, and—of course—that is because it is actually based on a stage play. The film is heavily reliant upon the performances of
Brett says: “With a rather forgettable title, the plot of this supernatural thriller is also at risk of being lost in the shuffle of other films in this shared horror sub-genre. Set in the 1980s with occasional flashbacks, a 30-something granddaughter
Brett says: “This debut feature from director Elise Finnerty is an elevated genre film that leans into the familiar folk horror tradition of tying present to pagan pasts. As the title implies, herein lies a new take on the witchcraft
Brett says: “The film LINGUI, translated as ‘The Sacred Bond(s),’ is a culturally compelling work at the very least. It is a story of a single mother and her 15-year old daughter in Chad who are caught in a web
Michael says: “After appearing in a handful of shorts and supporting parts in low-budget features, actor Samuel Kay Forrest decided to produce, write, and direct his own film. In HIPBEAT, a love letter to the modern-day Berlin for young people,
Michael says: “It was about 30 minutes into ALPHAVILLE when I realized I don’t think I like Godard’s films. Now I’ve only seen two, this one and BREATHLESS, so I am still open to more (BAND OF OUTSIDERS and VIVRE