Brett says: “Keys–check. Ticket–check. Popcorn–check. One hour into a film called KILL and there is still no killing–wait, what? Such is the case with this title out of India in what might be described as an ambitious effort, at best.
Brett says: “The title DICKS: THE MUSICAL may actually be the least profanity-laced part of this film. That alone might be the benchmark by which a person could determine whether the film is to one’s liking or not. The film
Diane says: “Oops, a Hallmark special got into Sundance by mistake! “Bill and his son David, veterans of Vietnam and Afghanistan respectively, run the family business in North Carolina. David’s sweet wife from ‘the holler’ packs lunches for the comfortably
Brett says: “Already before coming to theaters with a whole convoy of dump trucks’ worth of hype, THE WHALE is a film that, unfortunately, will fall flat for many who are expecting some sort of transformative cinematic experience. For others
Brett says: “Apologies for the language, I didn’t name the film. The title is intended to be a laugh in itself: a colloquial insult that serves as a pivot point for an urban slasher flick that relishes in depictions of
Brett says: “A film that’s still a little rough around the edges, this is a teen/20-somethings romp centered on a female circle of friends. Though they engage in annual summer escapades with their male companions, one of the girls has
Michael says: “I don’t want to tear apart a film that most people loved (I’m sorry Jana, I know you are one of those people) and my disdain for first-time feature film director, Lin Manuel Miranda (creator of the Broadway
Beth C. says: “Directed by I don’t care who, is a terrible, terrible film. (Spoilers below) I suppose this film made it into the festival because it was shot in Paris on a lovely property and the characters cast were
Michael says: “I’m just sliding this in because I’m the only person I know who didn’t like this film, so don’t listen to me, because it really seems to be universally beloved. I, on the other hand, am apparently a
Brett says: “KANDISHA is another in a long line of recent folk horror spectre/demon films that dip into legends from underrepresented cultures. In this case, the concept is the summoning of a Moroccan half jinn/half woman/half ‘devil’ (that’s a disproportionate