Brett says: “A follow-up from director Ruben Öslund’s FORCE MAJEURE, TRIANGLE OF SADNESS is a dark satire that some will call ingenious layering and build, while others will leave scratching their heads with doubt as to how anyone could praise
Diane says: “Acting Nom for Christopher Walken, as a gentle psychopath caring for his wife hospitalized with breast cancer. I’ve seen most of director Martin McDonagh’s plays, and his IN BRUGES, and I love his over-the-top combo of sweetness and
Jason says: “THE MESSENGER has no problem with making the audience a little uncomfortable. What might, in another movie, have been a bittersweet romance between Ben Foster’s Will Montgomery (a wounded soldier serving the end of his hitch informing next
Jason says: “The train thriller is almost a genre in itself: You get a group of people on a train, something bad happens, and the characters have to figure out who can’t be trusted by the rest, and the impending
Michael says: “After mining the mock-documentary genre for some laughs, Zak Penn, known for writing blockbuster, superhero flicks, tackles the improvisational comedy genre a la Christopher Guest with fairly amusing results. THE GRAND gives us a comedic look into the
Barbara says: “Definitely one of my favorites this year. A film that makes you think about chance and how we react to what life throws at us. Hard to figure out who the heroes really are. The Coens have done
Chris says: “In 2001, Richard Linklater’s WAKING LIFE merged live action with animation via a process called ‘interpolated rotoscoping,’ creating a fluid visual tableau that one could best liken to watching a painting coming to life. Much of its appeal