Jason says: “This is Mike Leigh’s third historical biography, which is somewhat surprising considering what a loosely outlined style he is famous for using – improvisation and recreation do not necessarily go hand-in-hand. And yet, somehow, this winds up an
Jason says: “What, exactly, is the difference be ween a crime movie and a caper movie? Scale? The intricacy of the plan? Do the characters being a notch more charming or less working-class change the classification? Or is this just
Jason says: “I admit, you can’t honestly look at Juan Solanas’s UPSIDE DOWN and call the writing much other than a mess – there really isn’t one thing in this movie that makes sense. But, on the other hand, I
Thom says: “Here’s another atrocious film from the vastly overpraised Sally Potter, & I never seem able to learn my lesson. I did give her first film ORLANDO my highest rating, perhaps in retrospect more for the presence of the
Laura says: “After diversions with career girls and period performers, writer/director Mike Leigh returns to the working class of SECRETS & LIES and LIFE IS SWEET. Within the confines of a dreary South London housing unit, Leigh and his actors
Diane says: “Finely tuned perfs by leads Rylance and Fox (her ANGEL AT MY TABLE is in my top five ever) and Spall (the Mikado in TOPSY TURVY) as the cuckolded husband. A couple who meet weekly for anonymous sex–it