Brett says: “Both director Marielle Heller (THE DIARY OF A TEENAGE GIRL) and actor Amy Adams deliver yet again in NIGHTBITCH, a drama-comedy that goes dark at times to tear into the daunting expectations of motherhood. The film is a
Brett says: “Director Mike Mills is up to Mike Mills things once again with another A24 home-run in C’MON C’MON. Show up for the enthralling dialogue, stay for the emotional tug-of-wars (yes, plural), and leave with a lump in your
Jason says: “I went into THE ROVER already thinking about how Australia seems to churn out more than its share of post-apocalyptic movies (post-‘collapse’ in this case), at least among the ones worth remembering. It’s probably at least partially convenience
Jason says: “Not being a drinker, I’m probably appropriating a terrible metaphor here, but this movie strikes me as being like a certain kind of binge: You start out down, but soon the alcohol gets you and everything is crazy
Jason says: “Movies like MONSTERS often get graded on a curve because of how much they do with relatively little. Gareth Edwards shot it guerilla-style and had to cram a fair amount of effects shots into a five or six-figure