Thom says: “Adapted from the Ann Patchett international best-seller this film is a powerful drama with tragic implications. A world famous opera diva (always great Moore) is hired to perform for a wealthy South American industrialist when in the midst
Michael says: “Yoko is the host of a popular travel show produced in Japan. While filming at various cultural landmarks in Uzbekistan, we see Yoko shooting hip deep in a lake supposedly filled with large, mysterious fish, repeatedly riding a
Michael says: “Hirokazu Kore-eda (LIKE FATHER, LIKE SON, STILL WALKING, NOBODY KNOWS, AFTER LIFE) returns with a lovely, heartfelt portrait of three sisters who discover they have a fourth sister after their estranged father passes away. They bring her into
Bruce says: “Kiarostami’s films have been on serious filmgoers’ lists for a long time now. Interest in his work began when he was strictly an Iranian director documenting the Iranian cultural landscape through his narrative works such as A TASTE
Thom says: “Gus Van Sant has long been one of my favorite directors with his only real flop being EVEN COWGIRLS GET THE BLUES which he reportedly made during his period of being totally distraught after the tragic death of
Jason says: “Takeshi Kitano has apparently been doing unusual stuff lately, with GLORY TO THE FILMMAKER and TAKEHSHIS apparently being considered weird for even Japan. Those projects haven’t been doing quite so well, so Kitano has gone back to the
Jason says: “Typically, anthology films like TOKYO! will focus on looking at a subject, whether that be an idea or (as in recent projects like PARIS, JE T’AIME) a city from multiple angles to see it as a whole, generally
Jason says: “I watch/review a fairly broad range of films, and when people ask, I generally say that I approach all of them the same way, and try to treat them the same regardless of origin or genre or style.
