Jason says: “Making a good romantic comedy seems easy enough, in theory: Come up with some witty banter, figure out what makes the people delivering it interesting and likable, add a reason that they aren’t kissing by the end of
Bruce says: “PARIS is a kaleidoscopic film, one that tells many stories at once; it is difficult to keep the characters straight and impossible to imagine how they could be related. This statement is more observation than complaint. It is
Bruce says: “Director Christophe Honoré has created a delightful offbeat comedy about family, friendship, love and loss. Louis Garrel begins by facing the camera and telling the audience he will be the narrator of the story. We don’t know who
Bruce says: “RUSSIAN DOLLS is written by a director who loves his characters yet is not afraid to have them make plenty of mistakes as they discover how to love and be loved. Employing plenty of digital tricks in the
Chris says: “American remakes of French films are usually trite, dumbed-down abominations, so does it follow that a French remake of an American film should have the opposite effect? I can’t fully say—I haven’t seen the original, James Toback’s FINGERS
Georgette says: “Well, Cedric Klapisch has another winner with L’AUBERGE ESPAGNOLE. With the same charm and good-natured fun as in his delightful WHEN THE CAT’S AWAY again we meet a cast of true characters, and the city is definitely one