Michael says: “While not quite as accomplished as THE VAST OF NIGHT, this nostalgia-focused thriller set in 1963 hits some similar marks, and surprised me at its cleverness and strong writing, after a slightly awkward start. The budget is clearly
Brett says: “From CATFIGHT director Onur Tukel comes a film generated out of the pandemic, and at the time of this writing, it sits at the top of the list among the many pandemic-inspired and topical films I’ve seen so far.
Jason says: “You don’t really need that much of a hook for a coming-of-age film – they’re more or less going to cover the same territory, albeit in different ways – but it doesn’t hurt to have one. That way,
Jason says: “Funnything about the festival circuit; a movie can be there for a while – I missed seeing this at Montreal’s Fantasia Festival last July, catching THE INNKEEPERS instead. I don’t regret seeing that at all, but I was
Jason says: “You don’t really need that much of a hook for a coming-of-age film – they’re more or less going to cover the same territory, albeit in different ways – but it doesn’t hurt to have one. That way,
Diane says: “Caught this at International Film Festival of Boston. A very funny, rambling story of one guy’s heartbreak, and the response of those around him. (Could he be compared to the Job of A SERIOUS MAN?) Justin Rice is
Diane says: “Hey, I thought this was going to be a nice, sweet movie, but it was very stressful! (I also had the idea that it was a documentary.) Patton Oswalt gives a fine perf as Giants fan Paul, whose
Jason says: “It would be completely wrong of me spoil the thing in THE LAST WINTER that made me go from thinking it was a nice little ‘isolated area (and maybe something else) starts messing with people’ horror movie to
Michael says: “I was very pleasantly surprised by Steve Buscemi’s tiny film about the shattered dreams and paralyzing ennui of a Midwestern family. Jim left his small-town Indiana home, including Mom, Dad and brother Tim, for NYC and thought he