Michael says: “Rebecca Miller’s THE PRIVATE LIVES OF PIPPA LEE came and went in theatres with barely a notice, which is unfortunate, because it’s a beautifully crafted film with sharp writing and terrific performances from the likes of Robin Wright
Michael says: “Lisa Cholodenko’s fourth feature (following HIGH ART, LAUREL CANYON and CAVEDWELLER) THE KIDS ARE ALL RIGHT, is getting a tremendous amount of critical acclaim, and even early Oscar buzz. I was very excited to see this film after
Bruce says: “CHLOE is a reworking of Anne Fontaine’s 2003 French film NATHALIE which starred Fanny Ardant, Gérard Depardieu and Emanuelle Béart. And CHLOE is one of the rare films that is more inspired than its antecedent. The plot is
Michael says: “I’m glad I took the time to see this film a second time after seeing it in September in Toronto because I enjoyed it much more the second time allowing the minor issues that bothered me upon first
Michael says: “Director Tom Kalin’s last feature film was SWOON, released in 1992. Sixteen years later, Kalin finally has another film about to open in theatres, and the fact that both films share the based on a true story subject
Beth Curran says: “Okay, I first must talk about the spectacle first – the film’s premiere was at the Elgin, and it was beyond zooey. Seating took forever, and it was unbelievable how large the reserved section was. While looking
Michael says: “There’s been a lot of buzz about Todd Hayne’s Bob Dylan biopic, especially after it’s debut in Venice. Those who know me know that I am not a fan of the biopic, but ever the experimenter, Haynes turns
Michael says: “If only a cast a movie made. During his introduction to the film, Fruendlich, who has made a great film (THE MYTH OF FINGERPRINTS) and a good film (WORLD TRAVELLER) said that TRUST THE MAN was his gift
Shannon says: “I must say that CHILDREN OF MEN is one of the most captivating films I have seen in quite a while. Clive Owen is amazing as a reluctant hero; and the film, which is ultimately the story of
Hilary says: “Only a few scenes into THE HOURS I found myself wishing I could start the film over and view it without the Philip Glass score. The score was used in a heavy-handed fashion, cueing the viewer to the
