Chris says: “Aubrey Plaza is becoming a modern-day equivalent of an unconventional ’70s movie star in that her presence is deeply felt in every role and her mere appearance elevates what surrounds it–can’t wait to see what she does next.
Michael says: “Here’s a curious film that’s eligible for 2021 consideration. The wacky, rapid dialog, and the bizarre, uncomfortable chemistry between the two leads keeps this film interesting, if not entirely successful in its exploration of two men, and the
Jason says: “It happens to nearly every writer, musician, or film director who doesn’t die young: Because they never really retire, they’ll eventually have an unimpressive period that runs longer than even a long run of success. Take William Friedkin,
Bob says: “I came out of PREY thinking it was better than I’d expected. Frankly, I hadn’t expected much, so better than I expected is not so hot. But it’s fading for me already. “The film doesn’t go very far
Michael says: “Well, the several Chlotrudis members who attended the second installment of the Sunday Eye-Opener were treated with a sneak preview of Olivier Assayas’ stylish tale of corporate cyber-espionage. Assayas, whose IRMA VEP is a cherished fave film of