Vicki says: “A sweeping epic about Magellan that goes on for way too long. Apparently it is one of Philippine director, Lav Diaz’s shorter films. “It does not hold back from depicting the horrors of the two pivotal wars in
Jason says: “I want more from ROSEWATER, but I’m not exactly sure what I want more of. More obvious suffering and torment on the part of its protagonist would certainly drive the point home better, but demanding that seems callous
Thom says: “This was a TIFF 2012 entry that I was dying to attend but they didn’t award me a slot. This film from Chile concerns itself with the plebiscite that finally overthrew the heinous Chilean dictator Augusto Pinochet in
Thom says: “A loving couple arrive in Georgia (the country) and absorb the local culture. They hire a local guide (a guide in real life who had to be coerced into acting in his first and last film) to take
Michael says: “As in JELLYFISH, my favorite film from last year, MAMMOTH finds as one of its core conflicts, a mother traveling half-way around the world to take care of other people’s children in order to make money to support
Chris says: “Few films baffle me as much as this one initially did. Jim Jarmusch has always been a particularly austere auteur: his narratives tend to unfold at a zen-like pace and the films’ structures possess as much weight as the stories
Beth Curran says: “Okay, I first must talk about the spectacle first – the film’s premiere was at the Elgin, and it was beyond zooey. Seating took forever, and it was unbelievable how large the reserved section was. While looking
Bruce says: “Based on a novel by Alan Pauls, THE PAST is a story with many themes: separation, jealousy, tragedy, and loss of love. At a party, Frida (Marta Lubos) toasts Rimini (Gael Garcia Bernal) and Sofia (Analía Couceyro) who