Brett says: “Director Andrea Arnold transforms the ordinary once again with her latest feature BIRD. The story is thoroughly character-focused, set in a dismal rundown part of regional England. True to her directorial form, however, there is a sense of
Michael says: “This German film led with a strong performance, looks back at the post WWII period in Germany, where the Paragraph 175 law, outlawing homosexuality, was still enforced. Hans Hoffman is repeatedly thrown in prison for cruising toilets, or
Michael says: “Apparently German director Petzold, has built up quite a following with his last three films (TRANSIT, PHOENIX, BARBARA) and his latest, UNDINE, is a bit of a change of style for him. An undine is a mythical water
Chris says: “It’s a canny move to set the 1942 source material in the present day, and shrewder still for director Christian Petzold (PHOENIX) to indulge in stylistic motifs that one would find in a film from that era (most
Jason says: “In certain hands, VICTORIA might just have been an impressive achievement in logistics for hitting an ambitious set of marks as a single-shot, real-time thriller. It winds up being a fair bit better than that, even if there