Diane says: “Ten years after MARY AND MAX, Australian stop-motion filmmaker Adam Elliot presents another tragicomedy in the form of biography. The film proper starts deep in the mouth of a dying old woman (who, when the camera is pulled
Jason says: “It says something about humanity, the world we live in, or perhaps just me personally, that I’m bored by the brand of paranoia that keeps CLOSED CIRCUIT running. Is that in spite of how visible abuse of power
Diane says: “Awesome. I grew up with STAR TREK and found this film very satisfying. Impressed with art director’s restraint in keeping the futuristic look developed in the 1960s, and with the graphics of the black holes. Nice touch to
Jason says: “It’s interesting how certain things seem to arrive in clusters. Stop-motion animation never seemed to disappear quite so completely as the traditional cel-based form, but what has appeared over the last year or so has been an unexpected
Hilary says: “Just a few words on MUNICH: “I was pleasantly surprised at how good it was. Spielberg actually redeems himself as a filmmaker, not just a blockbuster-izer, up until the last 10 minutes when he takes out his Significance
Bruce says: “When Chopper (Eric Bana) received his 15 minutes of fame someone made a colossal decimal error. No one so repugnant should be so famous. This gruesome biopic tells the story of Mark Brandon ‘Chopper’ Read a notorious thug