Michael says: “Lynn Shelton’s latest film, TOUCHY FEELY, didn’t get very good reviews on rottentomatoes.com, but I actually quite liked it. Rosemarie DeWitt plays Abby, a massage therapist one day finds she has developed an aversion so skin and to
Chris says: “Serviceable—that’s the word I kept thinking of throughout this thriller in which an intelligence agency operative (Brit Marling) infiltrates herself within an eco-terrorist group that targets the agency’s corporate clients. I’m not saying this film, co-written by Marling
Michael says: “Woody Allen keeps tricking me. I really haven’t seen a Woody Allen film that I’ve thoroughly enjoyed in the new millennium. Arguably, the last film of his that worked for me was CELEBRITY back in 1998 (and many
Diane says: “I read conflicting reviews of SUPER. One called it ‘an unwieldy mix of juvenile jokery and attempted pathos that just doesn’t pay off’ (SF Chronicle); another ‘the second coming of the avant-garde in indie film’ and ‘occasionally brilliant’
Michael says: “This was surely the year of Ellen Page at the Toronto International Film Festival. After receiving well-deserved accolades for her fine comedic work in JUNO, she turns around a floors audiences in Bruce McDonald’s (‘Twitch City’; HIGHWAY 61)
Michael says: “Surprisingly, after the tepid reviews, I rather enjoyed SMART PEOPLE. While there were a couple of schmaltzy moments, I thought the acting was outstanding. Of course, Ellen Page was super, but Dennis Quaid and Thomas Haden Church were
Michael says: “It’s difficult reviewing a film that has been so anticipated, and has been much discussed and speculated about for months before its actual release. Fortunately, HARD CANDY is a film, that while not perfect, lives up to the
Bruce says: “WILBY WONDERFUL is similar to an Altman film, having a dozen or so characters whose live are intertwined during the course of about twenty four hours. The film opens abstractly until a boot splashes in what we suddenly