Brett says: “Mona Fastvold’s THE TESTAMENT OF ANN LEE is a master class in film editing. The pace and construction is hypnotic, whether it be through the choreography and musical sections or the depictions of the actors’ portrayals with the added advantage
Brett says: “SANCTUARY explores power, identity, and trauma through a peculiar sexual relationship with a unique cinematic reality-bender format. There are only two featured characters, a dominant female sex worker and submissive male executive who finds himself struggling to find
Michael says: “ON THE COUNT OF THREE is billed as a dark comedy, and while it is that, I felt that it was more an inevitable tragedy sprinkled with humor. It’s a bold story about two men who make a
Vicki says: “James White is not an easy character to portray. He is basically a self-destructive distraught train wreck of a young man who is called upon to take care of his dying mother, played wonderfully by Cynthia Nixon. As
Michael says: “Stories of forbidden love are nothing new. Even adding a historical context, and a same sex passion isn’t all that original anymore. But that doesn’t mean you can’t do something beautiful with it. Witness this year’s Best Movie
Michael says: “When I perused the listings for this year’s festival, BLACK BEAR jumped out immediately because of lead actor, and two time Chlotrudis nominee, Aubrey Plaza. In fact, I had the privilege of presenting Aubrey with PIFF’s first ever