Michael says: “Alejandro González Iñárritu’s third feature to be released in the U.S. is a sprawling mess with a lot of intriguing ideas, but with way too much story for one film. It’s also a film with a message, and
Rob says: “Cool is something that cannot be willed into being, something that continues to escape THE ROYAL TENENBAUMS auteur Wes Anderson. He does have the mercurial Bill Murray (LOST IN TRANSLATION) in a solid comic turn as a vainglorious,
Bruce says: “Similar to the childhood flashbacks in RAY, THE AVIATOR attempts to explain away Howard Hughes’ drive and craziness by presenting a telltale scene from his childhood. Scorsese has chosen a moment in 1927 where Howard’s mother is washing
Bruce says: “It was a fluke that I saw VERONICA GUERIN immediately after seeing SHATTERED GLASS – two films about journalism based on true stories. Within a few hours I had a glimpse of two journalistic extremes. Veronica Guerin was
Laura says: “German director Tom Tykwer has explored fate and chance in his films RUN, LOLA, RUN and THE PRINCESS AND THE WARRIOR, falling far short of the works of the late, great Polish director Krzysztof Kieslowski. Working from a
Laura says: “While CHARLOTTE GRAY can be an infuriating film at times, with its heroine who not once, but twice, travels a great distance on behalf of a man who may not be committed to her or even alive, it
Kevin says: “An interesting but extremely sporadic film. Ricci’s character is not strongly written, and her performance shows it. Cate Blanchett steals all of her scenes. Beautiful imagery can’t quite make up for a spotty script, and Johnny Depp should
Kevin says: “Cate Blanchett is incredibly good. The film is really spine-tingling and very emotionally involving. The ensemble cast–Greg Kinnear, Giovanni Ribisi, Keanu Reeves, Hilary Swank, Kim Dickens, Katie Holmes–is flawless as well. Not QUITE as good as Raimi’s A