31 Candles (2026)
By Chlotrudis Independent Film Society
Director: Jonah Feingold
Starring: Caroline Aaron | Djouliet Amara | Jonah Feingold | Sarah Coffey | Seth Barrish
31 Candles (2025)
By Chlotrudis Independent Film Society
Director: Jonah Feingold
Starring: Caroline Aaron | Djouliet Amara | Lori Tan Chinn | Megan Bitchell | Seth Barrish
The Grotto (2025)
By Chlotrudis Independent Film Society
Director: Joanna Gleason
Starring: Betsy Brandt | Caroline Aaron | Kevin Chamberlin | Larry Sullivan | Susan Sullivan
Between The Temples (2025)
By Chlotrudis Independent Film Society
Rating: 4 cats
Director: Nathan Silver
Starring: Carol Kane | Caroline Aaron | Dolly De Leon | Jason Schwartzman | Robert Smigel
Diane says:”From the trailer, I expected a broad comedy. Instead it is a delicate treatment of people at fragile times in their lives. I’ll repeat the easy comparison to HAROLD AND MAUDE. “The cast is overall excellent. Carol Kane plays
Read the review...Between the Temples (2024)
By Chlotrudis Independent Film Society
Director: Nathan Silver
Starring: Carol Kane | Caroline Aaron | Dolly De Leon | Jason Schwartzman | Robert Smigel
Theater Camp (2023)
By Chlotrudis Independent Film Society
Rating: 3 cats
Director: Molly Gordon | Nick Lieberman
Starring: Ben Platt | Caroline Aaron | Jimmy Tatro | Molly Gordon | Noah Galvin
Chris says: “Probably funnier than 2003’s CAMP; also, it’s not quite WAITING FOR GUFFMAN but much closer to it than I was expecting. Upon watching this months ago, I wrote, ‘Give Noah Galvin his Independent Spirit Award nomination already,’ and
Read the review...Christmas vs. the Walters (2021)
By Chlotrudis Independent Film Society
Director: Peter A. D'Amato
Starring: Bruce Dern | Caroline Aaron | Chris Elliott | Dean Winters | Nate Torrence | Richard Thomas | Shawnee Smith
Never Again (2002)
By Chlotrudis Independent Film Society
Rating: 2 cats
Director: Eric Schaeffer
Starring: Bill Duke | Caroline Aaron | Jeffrey Tambor | Jill Clayburgh | Lisa Rabe
Laura says: “Schaeffer’s screenplay has an occasional glimmer of originality (the ‘talking point’ napkin Christopher draws up for Grace on their first date) and good dialogue, although it is telling that the dialogue improves dramatically with the level of performer
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