Diane says: “For Kelly Reichardt’s THE MASTERMIND, I’ve liked the reviews more than the movie. E.g., Reichardt ‘may never have met a genre she couldn’t meticulously deconstruct’ (Variety). Here it’s the heist movie, which is, of course, a character study.
Michael says: “This assured directorial debut from actor Rebecca Hall reveals a practice that many people will be unaware. Set in 1920’s Harlem, a chance reunion of two high school friends poses moral and ethical challenges to a black woman
Jason says: “Brian Wilson and the Beach Boys made some of their best songs (and one of pop music’s greatest albums) by meticulously – indeed, maniacally – piecing small fractions together that aren’t naturally found near each other, inventing what
Jason says: “TAMARA DREWE is an odd film, able to defy expectations even if all the audience knows going into it is its name. After all, one would expect this movie to be a showcase for Gemma Arterton as the