Brett says: “Both director Marielle Heller (THE DIARY OF A TEENAGE GIRL) and actor Amy Adams deliver yet again in NIGHTBITCH, a drama-comedy that goes dark at times to tear into the daunting expectations of motherhood. The film is a
Thom says: “It is difficult reviewing this film for many reasons. Certainly, there is no questioning the credentials of director Chbosky, who was responsible for the 2012 top-rated THE PERKS OF BEING A WALLFLOWER. DEAR EVAN HANSEN, the film, is
Bruce says: “NOCTURNAL ANIMALS brings as layered and complex a narrative as anyone will find this year, combined with an unapologetic visual style that accents every complex fold of the plot. Added to the vision of Tom Ford as it
Chris says: “The best one can say about this, the first filmed version of Jack Kerouac’s seminal 1957 novel is that it’s not embarrassing. If that sounds like faint praise, it aptly mirrors the film’s modest ambitions. Rather than transform
Bruce says: “I generally try not to review the big blockbusters but as a gigantic Superman fan I thought I could add my 2-cents-worth. I’ve seen SUPERMAN, SUPERMAN II, SUPERMAN III, SUPERMAN IV: THE QUEST FOR PEACE, SUPERMAN RETURNS, &
Bruce says: “Much has been said about THE MASTER being a thinly disguised biopic of L. Ron Hubbard and the Church of Scientology. Hubbard may have been the inspiration for the film but THE MASTER is about cultism in general.
Michael says: “SUNSHINE CLEANING is a nice movie. It features some terrific, heartfelt performances, and a script that is as unconventional at times as it is cliché at others. Rose and Norah are sisters who need jobs. Rose has a
Michael says: “It’s probably a good thing that playwright John Patrick Shanley wrote and directed the movie adaptation of his acclaimed play Doubt. While another filmmaker might have made a better movie, Shanley’s film certainly recaptures the power and drama
Chris says: “Madeleine (Embeth Davidtz), owner of a Chicago gallery specializing in outsider art, finds herself very much an outsider when she travels to small town North Carolina to acquire a local artist’s work. Coincidentally, George (Alessandro Nivola), her husband