Chris says: “Not as inventive or all-out gonzo as RUBBER or WRONG, but neither of those had the weird chemistry that materializes between Jean Dujardin’s weasel-like enigma and Adele Haenel’s at first bemused, then all-in co-conspirator. So, I’m thankful Quentin
Chris says: “Celine Sciamma’s exquisite 18th century romance between two women, an artist (Noémie Merlant) and her subject (Adèle Haenel) gains so much power from the barest essentials. Rather than pile on stylistic cues to lead the audience in a certain
Thom says: “This Dardenne project was nominated for a Buried Treasure Award for Chlotrudis and I approached this with my usual cautiously optimistic view. These Belgian brothers have been highly lauded throughout their careers with numerous international world-class festival awards,
Thom says: “I distinctly thought I’d like this film much more than I actually did. I’d be a total idiot to question its sincerity or even its verisimilitude but this film about the early days of the Act-Up agitprop movement in
Thom says: “”I had quite like Corsini’s LEAVING (2009) and went into this with my eyes wide open and was mostly satisfied. It’s the story of a man returning from his bachelor party with two friends who runs over an
Michael says: “This lovely French film dives deep into the world of adolescent girls and budding sexuality. Marie watches from the outside, while her friend Floriane, and the object of her desire, Anne, perform and compete in the world of