Michael says: “I have taken to watching films without really finding out too much about them first. Usually it’s one or two sentences from the synopsis, and I’ll make up my mind. SOUND OF METAL came as a big surprise,
Toni says: “Riz Ahmed collaborated with a co-writing credit, with director Bassam Tariq, writing all of the songs on Mogul Mowgli, which explores similar themes to his previous SOUND OF METAL. In MOGUL MOWGLI, he plays an aspiring rapper Zed,
Jason says: “I skipped DEATHGASM at Independent Film Festival Boston figuring it would play Fantasia while other things on the IFFBoston schedule might not otherwise play theaters, and the gambit paid off. Not just because the movie played, but also
Jason says: “BERBERIAN SOUND STUDIO brought a film called AMER to mind, even though the two are spectacularly different in the way they pay tribute to Italian giallo movies. What they have in common is a deep affection for the
Toni says: “SOUND OF NOISE is a Swedish absurdist, quirky black comedy about a tone deaf detective that hates music whose brother is famous for composing and conducting. “He has to investigate the workings of musical ‘terrorists’ that create mayhem
Chris says: “The title is actually the name of a small record label in the film that bills itself as a ‘talent search company.’ Salesmen are hired as ‘record producers’ and trained to audition aspiring musicians whom they encourage to
Michael says: “One of the measures of a successful documentary, for me, is making me interested in a subject or subjects that I never in my wildest dreams would have thought to be interested in. Heavy Metal music, and more
Thom says: “A year before this film, Franco had directed a brilliant adaptation of William Faulkner’s AS I LAY DYING, putting to rest any doubts that the right talent wouldn’t be able to make a film from Faulkner’s difficult, mesmerizing
Jason says: “Even the titles of Corneliu Porumboiu’s best-known recent films – 12;08 EAST OF BUCHAREST and POLICE, ADJECTIVE – are focused on a sort of precision that can sometimes be maddening and THE TREASURE, (‘Comoara’ in the original Romanian)
Thom says: “I feel like an old crab not liking this more but it is becoming abundantly clear that I takes a lot of convincing for me to get into the conscience of the cult. Here, a couple ingratiate themselves
Michael says: “Another film that started off strong, with a great premise, that really crashed and burned for me, and as time has passed, I’ve been trying to decide why this film ultimately failed for me, and I can’t quite
Do I Sound Gay? (USA; 77 min.) directed by: David Thorpedocumentary Chris says: “Increasingly asking the titular question following a breakup with his boyfriend, first-time filmmaker David Thorpe examines the origins and aesthetics of the ‘gay voice’: the effeminate, theatrical
Chris says: “Conceived with Peter Sarsgaard in mind, this indie where he portrays a cerebral NYC ‘house tuner’ (calibrating frequencies in clients’ homes in order to effect their moods) begins strongly and ends memorably–shame about what comes in between, however,
Thom says: “This delightful black & white silent film is an out-and-out winner. Silent film superstar George Valentin (Dujardin, Best Actor at Cannes 2011) is worried that with the advent of talkies he will lose his stardom. His marriage is
Michael says: “For his latest film, Atom Egoyan tackled the controversial true story of the West Memphis Three, a court case about the shocking murder of three young boys. Three young men were targeted as the murderers because of the
Bob says: “Poor, despondent Bruce is really just looking for a father figure. He lost his dad to gang violence when he was just a kid, and was taken in by a local priest who has protected him from certain
Bruce says: “Ming-liang Tsai’s films are somewhat of an acquired taste, a delicious long-lasting taste once one gets in tune with his style. Not many directors go out of their way to capture the aesthetic of a deserted hallway or
Laura says: “When 32 pacemaker wearers drop dead in Boston and misguided pigeons wreck havoc in London’s Tralfalgar Square Geophysicist Dr. Josh Keyes (Aaron Eckhart, POSSESSION) forms a theory that a problem with the earth’s electromagnetic field, formed by the
Chris says: “After a few stabs at making biopics (HOWL, LOVELACE), veteran nonfiction filmmakers Rob Epstein and Jeffrey Friedman return to form with a slick but affecting documentary about one of the greatest vocalists of her generation. While not held