Laks says: “After years and years of delaying, I finally got round to watching DARK SONG. In essence, all the horrors of the film melted away and I came away feeling absolved of the terror and uplifted by the surreal
Brett says: “It is baffling how a director can go from from something so good and even earn writing awards for it (ALL QUIET ON THE WESTERN FRONT) to something that requires such a reach from viewers that they suddenly
Brett says: “Director Jason Buxton (BLACKBIRD) brings his second feature film SHARP CORNER to life with a unique tone that enriches the entire project. The film is led by a terrific (as always) performance by Ben Foster, who portrays a
Brett says: “In this feature film debut, director Durga Chew-Bose adapts a novel from the 1950s for the screen, but the setting reflects an otherworldliness rather than feeling trapped in time. One can perceive a sense of modernity that seems predominant
Laks says: “It was to my surprise that Hillary Mantel (Wolf Hall) wrote film reviews and even further more so that she reviewed ANGEL HEART. I never would have imagined De Niro taking on the role of the devil and
Brett says: “Director Andrea Arnold transforms the ordinary once again with her latest feature BIRD. The story is thoroughly character-focused, set in a dismal rundown part of regional England. True to her directorial form, however, there is a sense of
Laks says: “I was able to soak up two major works that commemorated towering American women that were released in 2024. The first being Laurie Anderson’s AMELIA which was based on the life of Amelia Earhart. The other being Ellen