Birds of Prey: and the Fabulous Emancipation of One Harley Quinn (2020)

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Birds of Prey: and the Fabulous Emancipation of One Harley Quinn

Michael says: “Big, dumb, super-hero action film? Check! Big-budget blockbuster written and directed by a couple of women, starring four kick-ass ladies as the costumed protagonists? What, what? Yeah, you got the right. Borrowing loosely from a DC Comic made famous by

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Citizen Kane (1941)

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Citizen Kane

Michael says: “I have seen CITIZEN KANE before… about twenty years ago, so when it came up again in the Brattle podcast, about how it’s such a classic, in fact, probably THE classic film, and I couldn’t really remember much

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Blow-Up (1966)

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Blow-Up

Michael says: “Continuing my odyssey to fill some of the gaps in my movie-viewing history, I caught up with Michelangelo Antonioni’s BLOW-UP. Released in 1966, BLOW-UP, while superficially a mystery of sorts, is really a curiously mysterious, visually stunning look at

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Mandibles (2021)

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Mandibles

Michael says: “Most of French director Quentin Dupieux’s films begin with a simple, but completely bizarre and often ridiculous premise, that he is then able to spin into an entertaining yarn with some social commentary threaded in. With MANDIBLES, a

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Shit & Champagne (2021)

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Shit & Champagne

Beth C. says: “Directed by D’Arcy Drollinger, this narrative is a hilarious drag queen extravaganza! The cast is phenomenal, all funny. Over the top physical comedy and ridiculous plot twists, the film earns high marks from me this Ptown festival!

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In the Heights (2021)

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In the Heights

Michael says: “I’m just sliding this in because I’m the only person I know who didn’t like this film, so don’t listen to me, because it really seems to be universally beloved. I, on the other hand, am apparently a

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